La pierre tomb carolingienne de
Rennes-le-Château
Bulletin de la Société d'Etudes Scientifique de l'Aude, Vol.31 (1927)
Brigitte Lescure in 1978 wrote that;
"originally, a plate of the choir, [a] closing element separating the choir from the nave. This sculpture is the new orientation of Lombard art that developed in Narbonne at the end of the last third of the eighth century".
"originally, a plate of the choir, [a] closing element separating the choir from the nave. This sculpture is the new orientation of Lombard art that developed in Narbonne at the end of the last third of the eighth century".